This is the one. The post I’ve been leading to. When I started my “the Directors” column in 2009, I knew that covering the great Alfred Hitchcock was a necessity, no matter how long it took. I’ve been chipping away at Hitch’s filmography for a good long while, and below is what I (finally) have to report. I do hope you enjoy my thoughts on every film by the Master of Suspense, and feel free to share your favorite Hitch films as well!
Tuesday, May 19, 2015
The girl is missing. Three-year-old Brittney Little was last seen in a furniture store as her young mother, Maveen (Sarah Sokolovic), and Maveen’s boyfriend (Common), playfully argued about which type of couch to buy. Two detectives are called to investigate, and they soon begin to unravel a complex plot that could help explain Brittney’s disappearance.
But that’s not where Every Secret Thing begins.
Last week, I was invited to participate in a podcast discussion about Harmony Korine’s masterful film, Spring Breakers. The Vern, Jay Cluitt, JD Duran, Nikhat Zahra and I spent 90 minutes talking about all aspects of the film – from the neon cinematography to the hyper editing, dangerous perceptions to surprising (but very welcome) feminism. It’s always a pleasure to be a part of the LAMBcast, especially when I’m such a huge admirer of the film in discussion. Click here to give the podcast a listen!
Wednesday, May 13, 2015
A few months ago, I called Harmony Korine’s Spring Breakers one of my favorite films released so far this decade. It’s a neon-infused mind fuck freak show that I can’t get enough of. I was recently invited to participate in a LAMBcast discussion of the film (which will be posted on or around this Friday), and in preparation for that podcast, I decided to rewatch the movie. But this time, I paid close attention to the things I love most about Spring Breakers that are rarely discussed. Here’s what I found.
Wednesday, May 6, 2015
Vincent D’Onofrio is a character actor’s character actor. Frequently altering his voice, appearance and general mannerisms from role to role, D’Onofrio has been one of acting’s best chameleons for decades. Make-up can help with physical change, sure. As can elaborate costumes. But when they’re at their best, D’Onofrio’s transformations cut to the bone. He’s a notoriously dedicated Method actor who never shies from going all in. I hope you enjoy this trip into D’Onofrio’s dark world.
Friday, May 1, 2015
Noah Baumbach’s films are about people of a certain age, and how they respond to the time they’ve had, and the time they have left. These ages vary – from the confused collection of college grads in Kicking and Screaming, to the fortysomethings with twentysomething hearts in While We’re Young. Isolation is another theme of his work; how one deals with the confusion of the hyper world around them.
In discussing Baumbach’s career, I’m going to be talking a lot about time. The time expressed in the films themselves, but also how time in real life has allowed me to appreciate his work more. Rarely have I had a reversal on so many films by the same director. Proof that, as we get older, sometimes films really do get better.