Top 10 Movies that Make L.A. Look Like Heaven

Yesterday, I provided a handful of films that made L.A. look like hell. The thing about those movies is that they depict Hell on Earth for the bulk of their running time, so in that regard, a brief warning for today’s list. Believe me, I know some of the 10 movies below contain scenes of emotional turmoil and extreme violence, which are far from anyone’s definition of Heaven. But at least part of the movies below are dedicated to making L.A. earn its title as the City of Angels. Enjoy!

Top 10 Movies that Make L.A. Look Like Hell

Over the years, countless films have been set in the big, star making streets of Los Angeles. So as I make my way across the country, with that city as my final destination, I thought I’d have a little fun with a particular group of films set in L.A.. Below are the 10 flicks that make L.A. resemble Hell. Tomorrow, I’ll bring Heaven to Earth, but today, it’s Hell in the City of Angels.

EARRINGS: One Year Later

One year ago today (or tomorrow, technically) I released my short film, Earrings on this site, and wow, what a year it has been.

I spent one year of my life making Earrings. From development to distribution – one year. I put myself through tremendous physical exhaustion (relating mostly to sleep deprivation), absorbed a chunk of my savings, and on and on. But I had you. My faithful readers who stuck with me throughout. My dear digital family who cared, watched, and lent a kind word. You helped me make it through, and for that, I will be forever grateful. Whether you left a blog comment, sent a tweet, liked a Facebook status, sent me a kind email, or simply clicked ‘Play’ on the movie: thank you. Truly, from the bottom of my heart, thank you.

Top 10 Female Performances in Woody Allen Movies

Yesterday, I listed my favorite male performances from Woody Allen’s films, and today I have the much harder task of ranking the superb female roles from Allen’s films. Will Cate Blanchett’s recent work make the cut here once I’ve seen Blue Jasmine? I certainly hope so. But for now, here are the finest female offerings from the world of Woody Allen.

Top 10 Male Performances in Woody Allen Movies

Woody Allen’s Blue Jasmine hits U.S. theaters tomorrow, and early reviews appear to be unanimous on two points: it is a good Woody Allen movie, and it contains a perfect Cate Blanchett performance. This is great news because, although Blanchett is always perfect, she is not always in films that do her talent justice. So, basically, I’m excited for Blue Jasmine and thrilled to see Blanchett do what she does best.

In honor of Allen’s new film, I thought it’d be fun to list my favorite performances from his movies. The fellas are up first, with the ladies dropping tomorrow. Enjoy!

The Conjuring

We all have our ghost stories. Tales of encounters with the other side. Moving drapes in our bedroom, light bulbs that mysteriously flicker on, picture frames that are somehow moved. If we don’t have stories of our own, then we know someone who knows someone who has a great one. I have one myself; an irrefutable event that I (an admitted skeptic to all things paranormal) have never been able to find a logical explanation for. But I’m not going to share it here because, quite frankly, it’s too personal.

The point is, everyone has a ghost story to tell, including the Perron family, who claimed that their Harrisville, Rhode Island farmhouse was haunted by ghosts of century’s past. One of the Perron daughters, Andrea, wrote three novels that documented her family’s horrific experience. In Perron’s text, she mentions how supernatural investigators, Ed and Lorraine Warren, helped rid her house of paranormal activity. And it is the accounts of both of these families that act as the basis for James Wan’s The Conjuring.

Interview: Actress/Model Ginny Gardner

It’s rare when you can actually pinpoint the exact moment you know an actress has got it. When you know that the person you’re watching was born to perform, born to entertain, born to be a star. I knew Ginny Gardner had it when she was first introduced in the fourth season of Glee. As Blake Jenner looks up to an open doorway, in walks Ginny Gardner – slow motion, hair blowing in the wind, pop music blaring over the soundtrack. It’s a scene we’ve all seen before, and for an actress to pull it off convincingly is certainly no easy feat. But from that moment, Ginny Gardner had me sold.

I was fortunate enough to speak with the young actress/model a few days ago, and here’s what she had to tell me about modeling as an education, the dynamics of the Glee set, and what it feels like to be the POV of a found footage film.

In Character: Dennis Farina

Dennis Farina was a guy we all knew. With his consistent tan, permanent mustache, trademark Chicagoan voice, and perfect comedic timing, I’d be hard pressed to find a single fan of contemporary cinema that didn’t recognize his talents.

While I love bringing attention to excellent character actors in this column, I hate when such sad circumstances are the motivating factor for me writing about a particular actor. Yesterday morning, Dennis Farina died after suffering a blood clot in his lung. He was 69 years old, but his impact will certainly last longer.

Top 10 Scenes of Edward Norton Battling the Legal System

Edward Norton spends a lot of time in jail. Or at least his film characters do. And if they’re not in jail, then they’re thinking about jail. Or they’re sitting in courtrooms, or fighting cops, or any number of legal things. So, for a little fun, here are my 10 favorite instances of Edward Norton’s characters battling the legal system.

Only God Forgives

Nicolas Winding Refn likes painting portraits of hell. You could argue that his films are variations of hell on Earth. The barren, violent wasteland of Valhalla Rising, the internal collapse of Fear X, the unrelenting streets in the Pusher series, the seediness of L.A. in Drive. Hell. Through the use of bold, colorful cinematography, sparse dialogue, pulsating original score and lone, vengeful (anti)heroes, Refn creates worlds in which violence is life and revenge is certain.

In that regard, not only does Refn’s latest, Only God Forgives, fit snuggly into his familiar vision, but it is perhaps the most daring portrait of hell the director has ever put on screen. Relentless in its pace, tone and aggressive material, Only God Forgives is an aesthetically gorgeous look of inferno amidst fury.

Top 10 First R-Rated Performances by Child Actors

When it was announced that Emma Watson was going to star in Sofia Coppola’s The Bling Ring, the blogosphere was alive with anticipation. Hermione was going to smoke! Snort! Drink! Curse! When the fervor died down and the film was actually released, we were privy to a nuanced performance of lost youth. Watson’s role as Nicki delivered far beyond my expectations, and it also got me thinking.

Below are 10 great performances from well-known child stars. The catch: all of these roles were the first time the already-famous actors appeared in an R-rated film. If an R-rated movie was a child actor’s first role (think Natalie Portman, The Professional or Johnny Depp, A Nightmare on Elm Street) then they weren’t considered. This list is about youthful stars who branched out superbly into more risqué material.

In Character: Barry Pepper

Tormented. Conflicted. Those are my words for Barry Pepper. When I look at the best of his work, I see men who are tormented by their circumstances, conflicted by the actions around them. Conflicted by war, by fame, by justice, and jealousy. Conflicted about themselves, about why they’ve done what they’ve done, and how they can atone. Barry Pepper hit strong in the late ‘90s-early 2000s, but, sadly, has taken a step back as of late. I frankly don’t feel he’s given enough roles that fully encapsulate his skill, but the six performances below are perfect exceptions. Some tormented men are to follow.

My Favorite Scene: 25th Hour

Spike Lee’s 25^th Hour is a perfect film made by a passionate genius. It’s a movie I come back to often – for inspiration, entertainment, cinematic replenishment – you name it. I love everything about it, and picking a single favorite scene is no easy feat.

The film is inarguably notorious for two sequences: Edward Norton’s extended, lacerating, appropriate “Fuck You” monologue to himself, and the brutal “I need you to make me ugly” testament of friendship. Those scenes are locked; forever imprinted as classic moments of contemporary cinema. As is, in my opinion, Barry Pepper and Philip Seymour Hoffman verbally dismantling their friend and each other for four unbroken minutes as a gutted Ground Zero rests below them.

Unforgettable moments of an unforgettable film. But they’re far from my favorite.

Pacific Rim

I feel like I’ve seen Pacific Rim before. When I was a kid, I adored a TV show called Mighty Morphin Power Rangers. During the climax of many of that show’s episodes, a group of teenagers would morph together, collectively forming a giant robot (or… Zord), and fight a giant, alien beast in the middle of a city. This is, more or less, in Pacific Rim. I used to watch a giant lizard beast named Godzilla rip apart mostly Asian cities for no reason. This is, more or less, in Pacific Rim as well. In Ivan Reitman’s Ghostbusters, there’s a subplot involving Rick Moranis’ character, in which a beast from another planet stalks him in hopes of making him “The Keymaster.” More or less, in Pacific Rim. And in Independence Day, Will Smith and Jeff Goldblum conclude their cinematic duties in a way that felt very similar (i.e., identical) to the characters in Pacific Rim.

In Character: J.K. Simmons

J.K. Simmons, the authority figure. J.K. Simmons, the understanding father. The wiseass government agent. The sadistic prick. Because of J.K. Simmons’ trademark look (slim build, angular face, white, bald), his identifiable voice (low, gravely), and the age in which he “made it” (42, give or take) it would be easy for him to be typecast. And, in a way, he is. In fact, I’d stretch as much as to say that J.K. Simmons is one of the best typecast actors working today. He plays familiar characters, but he always makes them his own. And when he plays unfamiliar characters, well then watch out. Storm’s a comin’.