Monday, September 23, 2019
My Favorite Scene: Jarhead
My grandfather died a few weeks ago. His name was Robert Withrow,
he was 94 years old. Robert was known as “Whitey” to everyone who knew him, a
nickname he acquired early in life due to the jet-white hair he had from his birth
until his passing day. But his grandchildren knew him as Pap, and Pap was a
very good man.
Monday, August 26, 2019
In Character: Michael Madsen
Michael Madsen doesn’t like to stand still. At least not for very long. His characters move, they assess, they act. And whether Madsen is playing a shit kicker, cow puncher, mob boss, or psycho thief, there’s an unpredictability to his characters that is so appealing. Michael Madsen inhabits his roles with a unique persona that is equal parts charm, menace, vulnerability and rage. Madsen’s imposing figure makes him a suitable choice for the many antagonists he’s played so well, but his capacity for emotional openness is something that has helped make many of his roles so memorable.
Friday, July 26, 2019
Top 56 Things I Love About The Hateful Eight (that no one talks about)
I’m fresh off a first viewing of Quentin Tarantino’s masterful
new film, Once Upon a Time in Hollywood, and while I wait until I can
marvel at that film again, I thought it’d be fun to highlight a few things I love
about Tarantino’s previous film, The Hateful Eight.
There are three versions of this film: The Roadshow Version
that Tarantino displayed in 70mm in select cinemas, the somewhat shorter Standard
Cut that was widely released in theaters and on Blu-Ray, and the Extended Version currently on Netflix. I’ll be covering the Standard Cut for
this post, but if you’re a fan of this film, check out the Extended Version on
Netflix. Tarantino oversaw the assembly of it, and it’s a really cool narrative
experiment.
Tuesday, July 23, 2019
Top 10 Darius Khondji Films
Looking at cinematographer Darius Khondji’s entire career,
it’s interesting how he’s been able to balance classic with experimental, muted
with neon. He can shoot one of the most visually dark crime thrillers ever made
one year, then turn around and land an Oscar nomination for shooting a
traditional biopic the next year. As we wait to see what visual wonder he
brings to the Safdie Brothers’ Uncut Gems later this year, here’s a look
at some of Khondji’s finest work to date.
Saturday, July 13, 2019
Too Old to Die Young
Nicolas Winding Refn’s new Amazon series, Too Old to Die Young,
is a lot of things, many of which are equally maddening and fascinating. It takes
just a few minutes into the first episode to realize how the show is going handle
the passage of time, which proves to be one of the most telling things about
the entire series.
Tuesday, July 2, 2019
Top 10 Films of 2019 (so far)
We’re halfway through 2019, and while I haven’t seen everything,
I mostly feel good about what I have seen, and I’m excited for what’s to come.
Feel free to share your favorites so far this year as well!
Tuesday, June 18, 2019
In Character: Harvey Keitel
Harvey Keitel has been one of our finest screen actors since
he exploded on the screen in Martin Scorsese’s Mean Streets. Thankfully, those
two have maintained their collaboration (bring on The Irishman!), all while
Keitel has carved out an astounding career for himself. Frankly, I can’t
believe I haven’t covered him in this series yet. Maybe it’s because there are
so many great performances to choose from. If I didn’t include yours, please
feel free to share!
Thursday, May 30, 2019
Top 10 Benoît Debie Films
Audiences are guaranteed something every time they watch a
film shot by cinematographer Benoît Debie: no matter what the film
is about or how good it is, you can
guarantee it will look great. Debie
has mastered cinematography-as-character; when his work is at its best, Debie’s
camera acts as its own character, fully immersing you into the film. Here’s a
look at some of the finest work he’s captured yet.
Wednesday, May 15, 2019
In Character: Chelcie Ross
Chelcie Ross is the man. After receiving a Bronze Star for
serving in Vietnam as an officer in the U.S. Air Force (an achievement that can
justly define a life), Ross quickly became, and remains, one of the finest
character actors working in film and TV. While Ross has been decorated
handsomely for his previous profession, his acting work is the gift that keeps
on giving. Anytime this man appears on screen, he makes whatever he
is in that much better.
Thursday, April 11, 2019
Top 52 Things I Love About Miami Vice (that no one talks about)
The wheel came back around on Miami Vice. When the film was released in the summer of 2006,
critical and audience reception was cold. But today, it seems like every
few months there’s a new think piece hailing the film as brilliant. Those
articles are great, because they encourage people to watch the movie for the
first time, or revisit it with fresh eyes. Me? I’ve always adored the film, and
I’m always looking for ways to explain my appreciation of it. (Please note that
I’m going to spoil all major details about Miami
Vice. And a few about Heat.)
Thursday, March 21, 2019
the Directors: Gaspar Noé
I love trying to explain the work of Gaspar Noé to someone
who is unfamiliar with his films. How do you justify the carnage, the brutality,
and the seemingly civility-free world that Noé loves to depict? Sometimes, you
can’t. Noé’s films are so singular in their provocative vision, that they
polarize everyone who sees them. Many revile his work, others embrace it.
For me, Gaspar Noé is the
cinema provocateur. He’s a disruptor, a filmmaker who does not give a damn
about adhering to convention. And he is a man who is very, very curious about
how people behave when they lose control. I’ve spent the past week rewatching
all of his films (what a week), and that was the theme that most clearly
presented itself: The loss of control.
Friday, March 8, 2019
Music Videos I’ve Directed
The best part about making music videos is that it gives me
the space to experiment, both visually and narratively. I take music videos
very seriously, but there is far more playing involved than there is with a
short or feature film. And that playing allows me to test out new ideas and
find what works, which I then apply to my movies. Below is a list of all the
music videos I’ve directed so far, and what I’ve learned from each of them.
Sunday, February 24, 2019
Oscar Reviews: Best Live Action Short Nominees
Every year, I try to watch
all of the Oscar nominees for Best Live Action short, and
I can tell you with no hesitation that this crop of short films is by far the
darkest, most brutal collection of Oscar nominated shorts I’ve ever seen. Below
are my thoughts on each of the nominees, and my prediction of who will win.
Check out these shorts if you can. They aren’t easy, but they’re all incredibly
well made.
Friday, February 22, 2019
Who Will Win the Oscar for Best Actress?
The Best Actress Oscar has been a lot of fun to track this
award’s season. Early on, the award seemed like a split vote between Lady Gaga
(A Star Is Born) and Olivia Colman (The Favourite), but the Golden Globe and
Screen Actors Guild awards all but diminished that competition, making it clear
that this is Glenn Close’s award to lose. Below is a deep dive into this year’s
Best Actress race, including my thoughts on the nominated performances, and the
Oscars awarding performers for their careers, as opposed to a single
performance. (Note: This article ran as a part of the LAMB
Devours the Oscar series.)
Wednesday, February 20, 2019
Who Will Win the Oscar for Best Score?
When the Oscar nominations were announced last month, the
Best Score category featured a glaring omission that people still can’t wrap
their hands around. In this post, I’ll talk about the significance of the
scores that actually were nominated, the surprising snubs that deserved
inclusion, and who I think will ultimately win on Oscar night. (Note: This
article ran as a part of the LAMB Devours the Oscar series.)
Subscribe to:
Posts (Atom)













