Everyone has directors they haven’t gotten to. Even a film freak like myself has gaps. For me, Jean-Pierre Melville was one such gap. In August, I started my FilmStruck subscription, and the first film I put on was Melville’s Le Samouraï. When the film was finished, I sat in a daze, completely transformed by what I had just watched. The film was a game changer; I hadn’t experienced such strong cinematic impact in years. I kept going. Army of Shadows was next. Another classic. More. And more, and more. Within a week, I had watched every available Melville film. And now, I can confidently tell you that the man is one of my all-time favorite directors.
The purpose of this series is to share my experience of making my microbudget feature film, Wait, while being as transparent as possible. This series is specific to my experience only. Please do not take these posts as universal How-Tos. Also know, this series is intended to shed light on the process of making a film, not on the quality of the film itself.
This is my final post detailing how I made my microbudget feature film, Wait. I’ve used 20,094 words in this series to explain how I made Wait, and this post is a final chance to hammer home the most important points.