Top 52 Things I Love About A Few Good Men (that no one talks about)

Rob Reiner’s A Few Good Men is one of those movies I can watch anytime, anywhere. Which is fitting, given that it’s one of the most popular TNT Movies (Cinema Romantico™) around. It also contains one of Aaron Sorkin’s finest scripts to date. So with the Sorkin-penned Steve Jobs hitting theaters tomorrow, here’s a look back at some things I love about A Few Good Men that are rarely discussed.

the Directors: Denis Villeneuve

There are two sides to Denis Villeneuve: the playful surrealist, and the dead-serious dramatist. The best of his films often combine those two sides, creating a story juxtaposition that makes the work memorable. And the fact that they all look amazing certainly doesn’t hurt.

In addition, Denis Villeneuve is one of the few modern directors who always include strong parts for women. His films often show what desperate people do in desperate situations. Sometimes they respond with harsh violence, other times with frank sexuality. Many lie, some kill, most make poor decisions. But all of them face dilemmas in the context of a great story, executed masterfully by the filmmaker in question.

6 Years

You ever have something really bad happen to you but it takes you a long time to realize how bad it actually was?

I have friends (more than I care to admit, though I suppose any number greater than zero is one too many) who have been sexually assaulted. Some of them continued to hang out with their assailants in the hours, days or even weeks after their attack. Had coffee, grabbed dinner, went to a movie. This is for two reasons. One, they knew their assailants personally and, up until the assault, always assumed they could trust them. Two, my friends didn’t have the emotional context to understand how horrific their attack was. It took weeks to fully settle in.

My Top 11-20 Films of All Time

Yesterday marked the eighth anniversary of And So it Begins. Eight years. Holy hell, where does the time go? Exactly three years ago, I posted my Top 10 Films of All Time, and it’s about time I follow that up with the next 10. Keep in mind, this list only serves as a reflection of my own personal tastes. For better or best, this is how I see them. A huge thank you to all the readers of this blog, and the friends I’ve made because of it.

the Directors: Wes Craven

It’s easy to say that Wes Craven’s name is synonymous with horror. The man created Freddy Krueger, The Hills Have Eyes, Ghostface. Hell, even the name “Craven” sounds scary. That name and the horror genre will be forever linked, but labeling Craven as just a master horror filmmaker isn’t entirely fair. The man was a master filmmaker, period.

When Craven died of brain cancer last month, generations of movie fans mourned his loss. My mother was 16 years old when she saw Craven’s first film, The Last House on the Left. She said she sat in the theater in a horrific daze, mesmerized and terrified by what she was watching. Nearly 25 years later, I was roughly the same age when I watched Scream with the same exact emotions running through me. That was the power of Wes Craven at his best. His best films cut through and became iconic, scaring millions along the way.

Top 41 Things I Love About Drive (that no one talks about)

Has a cooler American movie been made since Nicolas Winding Refn’s Drive? Every frame of the movie oozes style, every note of sound is polished, everything about the movie is just… cool. By pure coincidence, I’m posting this list on the exact same day as the film’s American release four years ago. That’s four years of watching Ryan Gosling’s The Driver cruise around L.A., getting a feel for the streets, kicking ass and taking names and falling in love. Here are some things I love about one of America’s coolest films, that rarely get discussed.

Top 10 Movies I’ve Seen the Most

I thought this would be fun, to make a list of films that have nothing in common, other than the fact that they are the movies I have watched the most. Interesting and random trends I noticed in drafting this list: Most films here are from the ‘90s (a by-product of my mid-‘80s birth), seven of the movies have one-word titles, all are in the English language, only two of my top 10 films of all time are here, and no movie on this list is from the ‘70s (my favorite decade of film). The truth is, I watch at least one of these films every few months. Do feel free to share the movies you’ve seen the most in the comments – I love knowing what flicks people watch a lot.

In Character: Joe Mantegna

Joe Mantegna is an actor born to sling Mamet-speak. He and David Mamet have known each other since their careers began. Mantegna even won a Tony for his portrayal of Richard Roma in the first American production of Glengarry Glen Ross. The studio wouldn’t let Mantegna reprise his role for that film (Al Pacino filled in), but Mamet promised Mantegna that, in return, he could star in his first two films, both of which are listed below.

And that’s just the Mamet side of Mantegna’s career. In full, Joe Mantegna has had a long, impressive career on stage and screen, playing everything from notable mobsters to caring fathers, ruthless killers to charming thugs of Springfield. Simply put, he’s one of the best, most notable character actors we have.

Digging for Fire

Watching Digging for Fire, it’s clear almost immediately that this is the film Joe Swanberg has been leading up to. The movie has a maturity to it that is undeniable. The camera is often dead still, absent of visual flourishes. The frame is captured with smooth control on gorgeous 35mm by Ben Richardson, who did photographical wonders as the DP of Beasts of the Southern Wild. The score, by Dan Romer, who also worked on Beasts of the Southern Wild, is a synth-infused marvel, giving depth to scenes that may otherwise have little. And then there’s the cast, of which there isn’t a false note to be found. The opening credits read like a call sheet of the finest talents currently in the game.

In Character: Bruno Kirby

Leonard Maltin once described the late, great Bruno Kirby as “the quintessential New Yorker.” A fitting title, given that many of Kirby’s most iconic roles were men who effortlessly inhabited that city. Much of Kirby’s career saw him juggling a balance in his characters. Men who were scary and funny, threatening and charming, all at the same time. Kirby didn’t play one-note. He gave his characters depth and notoriety. Yet, for some reason, Kirby’s acclaim still isn’t what it deserves to be. This man should be remembered with the greats, period.

Top 10 Matthew Libatique Films

Cinematographer Matthew Libatique knows how to make a movie move. The films he shoots are energetic, vibrant, alive – they move. Whether opting for a modern and handheld approach, or traditional and elegant compositions, Libatique’s films have a vigor that is undeniable. Perhaps best known for his frequent collaborations with Darren Aronofsky (all of which are listed below), Libatique is a stylish cinematographer with a great command of his craft. Certainly one of the finest American DPs in the game.

In Defense of the Real Time Movie

Unfriended, a new movie in real time

Last night I watched two movies that, unbeknownst to me going in, were films that took place in real time. The first film was Cop Car, a thriller about two young boys who find an abandoned cop car in the middle of the woods, and do what most young boys would do in such a situation. The second movie was Unfriended, a digital thriller about a group of millennials who are harassed online, possibly by the ghost of a girl they bullied to death a year ago.

In Character: Jennifer Jason Leigh

From the onset of her film career, Jennifer Jason Leigh has played roles most actresses (of any age) would be terrified to play. Her characters are raw, addicted, abused, as naked emotionally as they are physically. Many of these roles are familiar character parts – The Town Slut, The High School Virgin – but Leigh has made these women unforgettable. In addition to the dangerous characters she inhabits, credit must be given to the arc of Leigh’s career. Very rarely do you see a non-independent film pop up in her filmography, let alone a major blockbuster. She’s carved her own path, done it her own way, and turned herself into one of the finest talents of hers or any generation.

Top 15 Songs that Should Be Retired From Movies

Some songs are used so well in certain movies, that filmmakers should write those tracks off, as they will never be able to use it better. With this list, I’m not highlighting tracks that are obnoxiously overplayed in films and TV shows, but rather, songs that were used to perfection in one movie, and should thereby be banned from every other film. I also chose songs that, despite being used flawlessly once, they are still used often today.

Example: after “Tiny Dancer” appeared in Almost Famous, it’s almost as if the song was retired from movies. It’s popped up on a few TV shows, but I can’t recall hearing it in a movie since 2000 (yeah, except you, Ted 2). Same with “Then He Kissed Me.” Adventures in Babysitting and Goodfellas had their way with it, and for the most part, the track has been left alone.

I hope you enjoy the list, and do feel free to share the tracks you think should be retired from films.

In Character: Cara Seymour

Whoever Cara Seymour is playing – a scantly clad New York woman of the night, a turn of the century nun, a lowly London housewife – she’s playing it damn well. Seymour falls into her roles, adopting a look, a voice, a persona, that is different from any she’s played before. I’ve loved discovering her work over the past several years, with the roles below being among my favorites.