Top 56 Things I Love About Memento (that no one talks about)

Memento is a modern classic of cinema; not only my favorite Christopher Nolan film, but one of my favorite films period. It’s a unique, groundbreaking thriller that I have seen dozens of times, and studied endlessly. Nolan’s latest film, Dunkirk, opens today, and before we take a look at the new, I thought it’d be prudent to jump back and examine one of Nolan’s first.

Top 26 Things I Love About The Prestige (that no one talks about)

The Prestige is one of Christopher Nolan’s most polarizing films. True, detractors love to hate on Interstellar and The Dark Knight Rises, but there’s something about The Prestige that sparks divide. I’ve always loved the film, and was happy when dedicated readers of this blog encouraged me to add The Prestige to my “No One Talks About” blog series. With Nolan’s Dunkirk on the brink of release, I thought it’d be fun to highlight a few things I love about one of Nolan’s most divided films. (Note: All major plot points concerning The Prestige will be revealed in this post.)

In Character: Christopher Walken

Christopher Walken is one of cinema’s best, most iconic actors, and his appearance in this series has been a long time coming. There were a lot of essential roles to choose from here. I hope you enjoy my picks, and do feel free to share yours as well.

The Beguiled

I never knew where The Beguiled was going. The conventions of film made me speculate, but my predictions were consistently wrong. Even if I came close to calling the movie early, writer/director Sofia Coppola deviated from the norm in a way that was immensely compelling. This isn’t to suggest that The Beguiled is full of shocking twists; it’s more abstract than that. What’s captivating about the film is how it flirts with convention, but choses to introduce more human, complex variables.   

the Directors: Ingmar Bergman

Every word I have ever written on this blog has been in preparation for this post. It’s all been leading up to this – my expansive Director’s post on my favorite filmmaker, Ingmar Bergman. I saw my first Bergman film in the summer of 2008 and my life was forever altered. Seeing The Seventh Seal that warm, isolated evening in July redefined how I viewed cinema. The way I watch movies has never been the same, and it is with great joy that I’m finally able to present my exhaustive post explaining why.

I rewatched every film Bergman directed specifically for this post, so my thoughts on his films are as current as they can be. This post is a bit long (Bergman made a lot of movies), but I hope you find value in it.  

In Character: Billy Crudup

Billy Crudup (pro tip: it’s pronounced “crude-up” not “crud-up”) is an actor I can’t believe I haven’t covered in my In Character series. When I began to immerse myself in his filmography, I realized why: this guy is good in everything. He’s choosy with his film roles, as he dedicates much of his career to the theater, but his film performances are contained, real, and great. Choosing his six best roles was not easy, but here’s a look at one of my all-time favorite character actors.

Alien: Franchise Breakdown

You have to give it to Ridley Scott. The man has been fighting tirelessly to revive the franchise that gave him a career. Alien was an instant classic; it made the words “A Ridley Scott Film” wholly important. Like Scott’s Prometheus, his latest inclusion to the franchise, Alien: Covenant, is being met with mixed reviews. And truly, if there was ever a franchise whose films are all over the map, it is this one. Note: this post contains spoilers for all Alien films, including Alien: Covenant.

In Character: Lili Taylor

Lili Taylor is one of film’s best living character actors, a distinction she’s held since she began appearing in films in the late ‘80s. She helped make the ’90s American independent film movement so iconic. When that movement dried up, Taylor moved to TV, delivering some of the best work of her career. In fact, her recent stint on the second season of American Crime is right up there with her best work. I love that Taylor is still going so strong; she makes everything she’s in that much more interesting.

In Character: Powers Boothe

We’ve lost another great one. Powers Boothe was a big man, a Texas man, an intimidating and charismatic man. His voice thundered and his fury raged. I say this a lot in these posts, but I genuinely liked Boothe in everything I saw him in. The performances below highlight his best work in rather fine films, but the man was no stranger to appearing in films that were not well received. Yet, he’s great in all of them. Red Dawn, Sudden Death, U Turn, MacCruber – line them up and I’ll watch them all, because Powers Boothe was the man. A sad loss indeed, but such a worthy career to revisit.

In Character: Tom Berenger

Tom Berenger is a guy I’ve always rooted for. There’s just something about him. He has an old school swagger but a thinly masked sensitivity. He’s tough yet vulnerable, mean yet melancholic. His career has twisted and turned, but he’s been in the game for 40 years, and I enjoy watching him today as much as I did when I was young.

Top 10 Persona-lite Movies

Ingmar Bergman’s Persona is one of Top 3 favorite films of all time. It’s a fever dream masterpiece that I will continue to pick apart. Because, despite being only 83 minutes long, Persona is one of the most pleasantly complex films I’ve ever seen. I’ve spent more hours working over the film in my mind than I have actually watching the movie.

Classifying a film as “lite” in this post is not to suggest that the film is inferior to Persona. The purpose of this list is to draw attention to a particular group of films that remind me of a particularly unique film. Very few movies can even be considered in the same warped class as Persona, but these are a few of the best of them.

Matineecast: Song to Song

Ryan McNeil’s Matineecast is one of my favorite film-related podcasts. I’ve been fortunate enough to be featured on Ryan’s show before, most recently to discuss Terrence Malick’s new film, Song to Song.

Song to Song is a complex flick. It joggles multiple love connections while enthusiastically ignoring the convention of time. There’s a lot to unpack in the film, certainly more than the limits of my review allowed, so it was great to have the opportunity to discuss the movie in-depth with Ryan.

Click here to head over to Ryan’s site, The Matinee, and listen to our discussion on Song to Song.

Top 71 Things I Love About There Will Be Blood (that no one talks about)

Paul Thomas Anderson’s There Will Be Blood is a masterpiece, certainly one of the best films made since its release a decade ago. Upon reflection, it’s incredible Anderson was even able to make this movie. Prior, Anderson had done a little-seen two hander (Hard Eight), two large mosaics (Boogie Nights, Magnolia) and a quirky character study (Punch-Drunk Love). The tone, pace, and execution of There Will Be Blood don’t have much in common with those other films. In hindsight, There Will Be Blood kind of came out of nowhere. Which makes it that much better. Here are several reasons why.

Song to Song

Watching Song to Song is like explaining an old romantic relationship to a new friend. You would certainly start at the beginning – how you met, how long it took to fall in love. And then you may suddenly jump to the end – the fighting, the apathy. Beginning to end, back to back. As you kept talking, your narrative might gradually shift to highlights – the highs, the lows, the vacations, the fights. In real life, stories of such personal importance are rarely told in order. We shape our own narrative to make things more compelling. It’s a challenging concept for film, but one that clearly interests director Terrence Malick.

Terrence Malick Q&A: The Meaning of Life and Other Small Things

Okay, well, first of all, I can’t just be all cool guy and publish a blog post about a Terrence Malick Q&A without geeking out a little. I mean, I saw Terrence Malick… in person. At one point, he was 5 feet away from me, smiling graciously to all those who acted as if they were staring at a mythical god.

Terrence Malick is one of my favorite living filmmakers. I love every movie he’s made, and so appreciate that he makes movies his own way. Part of his method has been his prior insistence on not speaking publicly. No interviews, no question and answer sessions, no Making-Of docs, no awards acceptance speeches – literally, nothing. But in his later years, Malick seems to be opening up a bit more. He has been spotted at science and history-based Q&As for some of his films (namely The New World and Voyage of Time), but he recently showed up for a lengthy Q&A for his latest film, Song to Song, at the South by Southwest Film Festival in Austin, Texas.