With more than 35 years in the business, Kevin O’Connell is one of cinema’s most revered sound mixers. Most notably, O’Connell is the person with the most Oscar nominations in history, who has yet to win. O’Connell has been to the show 20 times (21 this Sunday, for sound mixing Hacksaw Ridge), but hasn’t made it to the podium once.
Thursday, February 23, 2017
Thursday, February 16, 2017
Below is my entry to LAMB’s Devours the Oscars column. Check out all of their Oscars 2017 posts here.
When the Oscar nominations were announced a few weeks ago, it seemed like Casey Affleck was a lock to win Best Actor for his searing work in Manchester by the Sea. But in a pleasant change of pace for the Oscars, most of the major awards are relatively open. The only real lock is Supporting Actress (Viola Davis, get it), with the other big categories are stuck in two, or even three, way races. Here I’ll take a look at Best Actor – what I think of each performance, and their chances at winning – before concluding with a few snubbed performances I would’ve love to have been nominated.
Wednesday, February 1, 2017
This is my favorite end-of-the-year movie list tradition. At the end of every year, I look at all of the “rotten” films on Rotten Tomatoes, and highlight ones I actually liked. Most of these aren’t close to being great films, but I enjoyed my time with them all the same. Be sure to list your favorite “rotten” films as well! (Note: I’m using the Rotten Tomatoes scores each film had on December 31, 2016.)
Saturday, January 28, 2017
Wednesday, January 18, 2017
Monday, January 9, 2017
Tuesday, December 20, 2016
The twin movie was a curse that dominated the ‘90s. It happened before and has certainly happened since, but during that decade, when one studio announced an idea for a film that sounded commercially viable, it was common for a rival studio to scramble to create something similar. Other times, similarly themed flicks were released a year or so apart by pure coincidence. Either way, one of the films usually got screwed over in the process.
In terms of declaring “winners,” my decision was based on culture significance and profitably. No matter if these films are good or not (many aren’t), they were discussed plenty when they were released, and the release of one typically meant critical and/or commercial harm to the other. It’s not about which film is better. It’s about which film did better.
Thursday, December 15, 2016
Regina King has been stealing scenes since her film debut in Boyz n the Hood. Her energy, wit, and unwillingness to be outshadowed by her male co-stars has long-since made her an actor who demands (and keeps) your attention. I’ve been a fan of her work from the beginning, and am thrilled that she’s currently finding so much success on TV. Here are a handful of roles I’ve enjoyed her most in.
Friday, December 2, 2016
Beatty’s career is a celebrated and complex one, so I’m doing something different in this Directors post. Beatty has directed five feature films, but he’s been responsible for the creation of many more. As a producer, Beatty was able to throw his clout around and help make some of the finest American films of all time. He starred in most of the films he produced, and co-wrote a few as well. He was responsible for securing the directors and casts of those projects, and earned final cut on many of them. In short, because Beatty’s influence on the film’s he produced is paramount, I’ve listed them here as well.
Friday, November 18, 2016
Unrequited love can be the worst thing to happen to someone. People lose themselves when they lose someone. They form unhealthy patterns, sabotage relationships, isolate themselves. It hurts so much to lose someone because we put so much of ourselves into the people we love. That’s the jump, that’s the trust. And when it’s gone, that part of us is lost as well.
But good can come from pain. Some of the best art ever created was the byproduct of fractured love. Pain can also bring perspective. It can make you appreciate what you have, when you have it. This is what Tom Ford’s new film, Nocturnal Animals, is about. It’s about seeking redemption for your pain in a healthy and constructive way, while also violently explaining what that pain did to you.
Wednesday, November 16, 2016
Friday, November 4, 2016
I was recently having a conversation with someone about movies that make us cry. I mentioned my never-fail cry films (which I’ve written about here), but as we kept talking, we started wondering what exactly in movies makes us cry. I realized something that routinely makes me emotional is a parent looking at their child with the utmost sense of pride. And although I’ve written about some of these moments before, I thought it’d be an inspiring post all the same. Please advise that spoilers of the listed films lurk within.
Sunday, October 16, 2016
Thursday, October 6, 2016
Andrea Arnold’s films are unique and bold, singularly realized. Heavy on story, emotion, and feeling; void of plot and convention. Her latest, the captivating epic, American Honey, dutifully follows suit with Arnold’s style. And thank God. There’s no one currently making movies the way Andrea Arnold makes them. Every time she releases a film, she subsequently breathes life into the medium. Hyperbolic praise, perhaps, but truth be told, certainly.
Monday, September 19, 2016
One of the things I love most about Hank Azaria is his unpredictably. You never know what he’s going to do. If he’s playing an out-and-out comedic character, Azaria’s dramatic skills may sneak in a heartfelt moment. If you’re watching a more serious Azaria performance, there’s a good chance his comic timing will show itself.
A maestro impressionist and voice artist, Azaria has proven his chops in so many different fields. He’s as fun to watch (and listen to) today as he was 25 years ago. Actually, given his recently Emmy win for guest starring on Ray Donovan, I think it’s fair to say that Azaria is only getting better.