The Brit Marling School of Cinema is something every young filmmaker should take note of. A few years ago, Marling drove cross-country with her friends, Mike Cahill and Zal Batmanglij. Their destination, Los Angeles. Their dream, to make films. In 2011, after severing time amidst the Hollywood struggle, the trio premiered two separate movies at the Sundance Film Festival. Both films, Cahill’s Another Earth and Batmanglij’s Sound of My Voice, were small-scale, high-concept sci-fi tales that were financed independently and featured Marling in lead roles (she also co-wrote each film). Within a year, Batmanglij was developing his next film with Ridley Scott (which turned into The East), while Marling was stealing scenes from Richard Gere in Arbitrage (and, later, from Robert Redford in The Company You Keep).
Tuesday, July 22, 2014
Monday, July 21, 2014
Nostra, the uncontested master of blogathons, has created another great one, this time tasking bloggers with connecting film artists in six steps or less. The rules, in Nostra’s words: You will get two names of either actors/actresses/directors or movies and what you will have to do is make a link between them in a maximum of six steps.
Friday, July 18, 2014
There’s something to say for a movie that takes up a lot of time without feeling like it takes up a lot of time. I love seeing a long movie and, upon reaching its conclusion, being amazed by how much time actually elapsed. Such is the case for the films below, a handful of my favorite movies that breeze by despite their length. Please note: my rule of thumb for “long” was any film over 160 minutes.
Thursday, July 17, 2014
Tuesday, July 15, 2014
All of Richard Linklater’s best films are defined by time. Slacker is essentially one continuous moment over the course of a few hours, Dazed and Confused takes place on the last day of school/first night of summer, Before Sunrise is a 24 hour romance, Tape and Before Sunset occur in real time, Before Midnight is an afternoon and evening of love and heartbreak, and so on. Noting this, Linklater’s new film, Boyhood, is his greatest exercise in time yet. It’s also the most impressive film he’s made, in a career that has spawned several of them. Boyhood is a film that stands to define us. Define who we are now, and who we were then. It’s a living, breathing time capsule that astounds for every one of its many frames.
Sunday, July 13, 2014
The Coen brothers’ No Country for Old Men is one of the best, most intelligent, most compelling films of recent memory. Here are a handful of things I love about the film that rarely get discussed. Please be warned: spoilers lurk within. Can’t stop what’s comin’.
Friday, July 11, 2014
Wednesday, July 9, 2014
The year is 2031 and the world is cold. Ice cold. Deadly cold. Seventeen years earlier – which is to say, now – measures were taken to correct global warming. The experiment was a disaster, freezing Earth completely and killing everyone and everything in the process. The few who lived are those aboard the Snowpiercer, a massive train that takes exactly one year to circle the globe. As the film begins, we become aware of the class system on the Snowpiercer. Those in the front of the train lavish in excess, while those in the back rot. They sleep on top of each other, covered in their own filth, eating “protein blocks” of shit. Many of them are scarred and missing limbs, for reasons I won’t disclose. All of them are ready for change.
Monday, July 7, 2014
I’m a great admirer of the modern cinema spawned from South Korea. I love its beauty, candor, and unflinching approach to violence. But here’s the thing, although many Korean New Wave films contain gruesome physical and/or sexual acts, there is a compelling morality to them that cannot be ignored. Revenge is a common theme in films of this kind, and when executed properly, the best Korean revenge thrillers force us to ask what we would do if put in a similar situation. How far is too far? And, having gone too far, how do we come back?
Other Korean New Wave films ask us to simply observe. Observe the splendor, the horrific pain, the ultimate dread. Most of the films below are ones I find utterly fascinating, yet few of them make for easy viewing. And do please take the title of this post literally. Many people are far more knowledgeable on Korean New Wave Cinema than I, but as Bong Joon-ho’s Snowpiercer currently thrills audiences, I thought it’d be fun to share my favorite films of this most unique cinematic movement.
Friday, July 4, 2014
Last weekend, I was thrilled to join The Chicks with Accents (that’s Nikhat from Being Norma Jean; Mette from Lime Reviews and Strawberry Confessions; and Sofia from Film Flare) for an episode of their excellent Across the Universe Podcast.
The Chicks generously let me choose the topic of conversation, and I quickly settled on discussing our favorite films in which women more or less lose their minds. As I say on the podcast, I promise I’m not a masochistic son of a bitch who likes watching women suffer. I simply appreciate the command of a great actress who can play a complex character so well.
Hitchcock’s World is at it again. Slowly asserting himself as a king of blog relays, John’s latest race asks bloggers to rank the 10 biggest stars of classical Hollywood. The rule: the star must have been prominent in large Hollywood productions from 1930-1960. The format: kick a star out, put another one in. Andrew from A Fistful of Films was kind enough to hand things over to me, so here goes.
Tuesday, July 1, 2014
Monday, June 30, 2014
John from Hitchcock’s World has started a new relay race, this time asking bloggers to list the most influential directors of all time. The rule is simple: remove one director from the group and replace them with another filmmaker you think is worthy. Some monumental filmmakers are to follow – hope you enjoy my swap!
Saturday, June 28, 2014
I’m fascinated by the dichotomy caused by an unreliable narrator. Occasionally while watching a film, we know that the person telling us a story is intentionally lying. Other times, we don’t realize we’ve been betrayed until the film’s final scenes. Either way, it can be so thrilling to witness the world through an unreliable mind, even if only for a few hours. In regards to this post, please be warned, simply discussing such characters can inadvertently produce spoilers. I’m always strict about not spoiling films on this blog, but do proceed with caution here.
Thursday, June 26, 2014
I’ve had a bittersweet few days since hearing of Eli Wallach’s passing. On one hand, there is no doubt that we lost a film legend. Wallach was one of the premiere character actors to ever grace the screen. He delivered hundreds of iconic performances in film and television, as well as on stage, and I’m so saddened by his loss. On the other hand, at 98 years old, it’s clear that Wallach lived a full and great life.
When news broke of Wallach’s death, I did what I always do when an artist I admire passes: I traced through his filmography, looking to fill any major gaps I may have missed. A few of the films below are ones I’ve just watched for the first time. They’re great films; masterpieces, even. Films I’ve wanted to get to, but had been putting off. I’m sad that it took Wallach’s passing to motivate me to watch them, but now more than I ever, I know Wallach’s work will certainly live on.