Miracle at St. Anna the reviews are mediocre, but I’ve always enjoyed Spike Lee at his most serious, i.e. Malcolm X, 25th Hour, When the Levees Broke. In theatres now.
Appaloosa Ed Harris’ last directorial effort, Pollock, is one of the most vivid portraits of an artist that I’ve ever seen, I’m interested to see what he does with a Western. In theatres now.
Blindness Everyone goes blind except Julianne Morre. The trailer is wicked cool, plus Fernando Meirelles did wonders with City of God and The Constant Gardner. In theatres now.
The Duchess Keira Knightly was great in Pride and Prejudice and even better in Atonement. She’s one of the few people that can get me to see (and enjoy) a period piece. In theatres now.
Religulous Although Bill Maher is targeting a slim audience (those who oppose religion and are willing to make fun of it), critics have said it’s as funny as Borat, and just as offensive. Oct. 3
Rachel Getting Married Anne Hathaway is said to be an Oscar shoe in as a drug addict temporarily released from rehab to crash her sister’s wedding. Critics have said this is Jonathan Demme’s best film since Silence of the Lambs. Oct. 3
Happy-Go-Lucky Don’t want to see a feel good movie about a feel good girl with no conflict? Think Amelie. Oct. 10
W. Satire? Drama? Who cares. I’ll pay good money to see our President exploited for the dumbass he is. Plus, who has more balls than Oliver Stone to attack a current Commander in Chief? Oct. 17
I’ve Loved You So Long My favorite critic, Peter Travers of Rolling Stone, said that Kristen Scott Thomas gives the best performance of this or any year. You don’t think a French-speaking role can earn an Oscar? Marion Cotillard begs to differ. I’m in. Oct. 24
Pride and Glory The release delays are a bit discomforting, but it is Edward Norton, so… I’m there. Oct. 24
Synecdoche, New York Charlie Kaufman, writer of Being John Malkovich and Eternal Sunshine of the Spotless Mind, makes his directorial debut. Expect weirdness. Oct. 24
Changeling Clint Eastwood directing. Angelina Jolie acting serious. John Malkovich as a good guy. This Cannes sensation is a must see. Oct. 24
Zack and Miri Make a Porno Why not? It could be fun. Oct. 31
Quantum of Solace New James Bond, with skilled director Marc Forster (Monster’s Ball, The Kite Runner) taking over. Nov. 14
The Road (no trailer, yet): This is risky. It’s either going to be brutally real and daring, or it’s going to be a boring misfire. I’m going for the former. Nov.14
The Soloist Jamie Foxx and Robert Downey Jr. are in top form in what I hope will be a great, powerful film. Nov. 21
Australia The last time Baz Luhrmann directed Nicole Kidman, we got Moulin Rouge. Now we get what could be the year’s most elaborate romance. Nov. 26
Milk The fall film I’m anticipating most. A great cast anchored by a flawless Sean Penn, with the year’s best trailer to boot. Nov. 26
Frost/Nixon Just watch Frank Langella in the trailer. Enough said. Dec. 5
Doubt This is a touchy subject handled by playright John Patrick Shanley. Expect sparks to fly. Dec. 12
The Wrestler (no trailer, yet): Everyone is talking about it. It swept the major film festivals. Mickey Rourke is the front runner for best actor. How can you resist? Dec. 19
The Curious Case of Benjamin Button David Fincher and Brad Pitt always make a great match. Put them together with a cleverly unique story, and I think we’ve got movie magic. Dec. 25
Gran Torino (no trailer, yet): No one knows too much about this except Clint Eastwood’s directing himself as a hardass war veteran. This late-year tactic did wonders for Million Dollar Baby. Dec. 25
Revolutionary Road Two matured stars. A brilliant director. And a heavy story. Oscar, here they come. Dec. 26