Top 38 Things I Love About Django Unchained (that no one talks about)

For the past several weeks, I’ve made my way through every film Quentin Tarantino has written and directed, highlighting my favorite aspects of each film in the process. In the days leading up to QT’s next film, The Hateful Eight, we land on the 2012 Oscar-winning western, Django Unchained. I hope you dig the post (my other Tarantino posts can be found in the list at the bottom of this page), and feel free to share your thoughts as well!

Top 55 Things I Love About Inglourious Basterds (that no one talks about)

Inglourious Basterds marks Quentin Tarantino’s evolution into what he refers to as lyrical filmmaking. In QT’s words, Basterds, Django Unchained and The Hateful Eight, make a trilogy of long, poetic, lyrical films. (He’s also said that, having completed the trilogy, he’s interested in getting back to more visceral filmmaking, like Kill Bill. Which good, potentially, mean the possibility of Kill Bill: Vol. 3. But since we’re talking about Basterds, I consider it one of QT’s most mature films, ranked right next to Jackie Brown in that regard. It’s classical and reserved, until, of course, it’s not. Enjoy!

Top 36 Things I Love About Death Proof (that no one talks about)

Many dug it and many loathed it; such is the lasting fate of Quentin Tarantino’s most experimental film, Death Proof. The film, packaged with Robert Rodriguez’s Planet Terror, was a double-feature throwback to the exploitation films both filmmakers were raised on. Seeing both films (under the sole title, Grindhouse), in the theater remains one of the most memorable movie-going experiences I’ve ever had. That was just it, Grindhouse was an experience. And sure, while Death Proof may not carry as much weight as Tarantino’s other films, I still love it all the same.

In Character: Joe Pesci

Few actors are as equally menacing as they are hilarious. And ever fewer make you want to revisit their work again and again (and again, and again) in films from completely different genres. But that’s Joe Pesci. The man who starred in (and won an Oscar for) arguably the greatest, most rewatchable mob movie of all time, and starred in one of the greatest, most rewatchable holiday films of all time... in the same year. Another thing I love about Pesci is that acting has never consumed his life. He’s been a forklift driver, lounge singer, bartender, restaurant owner, hell, he’s even responsible for helping create The Four Seasons. But despite having other interests (he’s been semi-retired since 1998), Pesci routinely delivered stellar work. He’s one of the best we’ve had, no question, period.

Top 52 Things I Love About Kill Bill: Vol. 2 (that no one talks about)

To watch the second volume of a film is to compare it to the first. Rarely are The Godfather and The Godfather Part II mentioned in the same breath without mentioning which one the speaker likes better. Same for Quentin Tarantino’s Kill Bill saga. Rather famously, Tarantino shot the film at one time, as a whole, and decided in editing to cut the films in two. The results continue to split audiences. When I saw Vol. 2 in the theater, I expected the balls-to-the-wall action extravaganza of Vol. 1 to still be in play. Instead, Vol. 2 revealed itself to be a patient, more restrained follow-up. Vol. 2 is a straight drama with a few thrilling action sequences, as opposed to Vol. 1, a straight action film with a few dramatic scenes. As it turns out, I like both volumes equally, but feel free to share your thoughts on the whole saga!

Top 52 Things I Love About Kill Bill: Vol. 1 (that no one talks about)

Kill Bill: Vol. 1 is best known, at least by Quentin Tarantino himself, as Tarantino’s first Movie Movie Universe film. To explain. Tarantino has said he makes two types of films: ones belonging in The Realer than Real World Universe, and others in The Movie Movie Universe. The Realer than Real World Universe is for films that are based in a slightly heightened version of reality. This is where Reservoir Dogs, Pulp Fiction and Jackie Brown belong. The Movie Movie Universe is an alternate, fantastical reality. To put it simpler: characters from The Realer than Real World Universe would likely go see a film from The Movie Movie Universe. Which makes sense. I mean, can’t you imagine Ordell Robbie loving the shit out of Kill Bill?

So, in short, Kill Bill: Vol. 1 was a real departure from the QT films that came before. It literally opened the filmmaker up to a whole new world.

Top 59 Things I Love About Jackie Brown (that no one talks about)

My countdown to Quentin Tarantino’s The Hateful Eight continues with a dissection of Jackie Brown. Jackie Brown could very well be Tarantino’s most underrated film. Hell, its Top Critics score on Rotten Tomatoes is currently 61%, the lowest of any Tarantino film. Which means that many major critics didn’t really dig the film when it was released, but I think you’d have a hard time finding one who didn’t like the film today. Be sure to check out my previous posts on Reservoir Dogs and Pulp Fiction, and come back next Friday for my take on Kill Bill: Vol. 1.

Gaspar Noé’s Love

Gaspar Noé is the most polarizing film director currently in the game. He makes uncommonly challenging and profane works. For more than a decade, I have passionately defended Noé’s films not only as art, but great art at that. I understand Noé’s intention, and, while extreme, I find value in it. His first feature, I Stand Alone, climaxes with a massive title card warning the audience that they have 30 seconds to leave the theater. When the title disappears, Noé spends the remainder of his film justifying that warning. Bad things happen in I Stand Alone. Horrible, brutal things. But look closer. Did they happen the way the main character perceived them?

Top 75 Things I Love About Pulp Fiction (that no one talks about)

The Hateful Eight countdown continues as I dive into my second favorite film of all time, Quentin Tarantino’s Pulp Fiction. I absolutely adore this film, so I did have a lot to say about it, which I hope you dig. Come back next Friday as I dissect Jackie Brown!

Victoria

Victoria is a very, very good film about people who make very, very poor decisions. And that’s okay. Really, it’s okay to watch a movie about people who spend 138 minutes of their lives making bad choices. Faulty character choices isn’t necessarily faulty filmmaking. In the best hands, such choices are realistic depictions of people with particular flaws. The titular character in Victoria, played harrowingly by Laia Costa, makes a lot of choices throughout the film that you may not agree with. In fact, I let out an “Ohh, nooo” early in the movie, partly because I thought Victoria was acting stupidly, but mostly because I really cared about her and didn’t want her to get hurt. And that’s the difference. That’s the character balance good films know how to achieve. They make you care about someone, as opposed to making them knife bait to setup the next kill.

Top 51 Things I Love About Reservoir Dogs (that no one talks about)

Quentin Tarantino’s The Hateful Eight drops this Christmas in glorious throwback fashion. For the first two weeks of its release, the film will screen in theaters specifically equipped with a projector that can properly display the film’s 70mm film stock. I’m beyond excited for a new QT film, so in preparation for The Hateful Eight’s release, I’m going to spend every Friday between now and Christmas discussing Tarantino’s body of work. Today, we start at the beginning, with Tarantino’s fierce and iconic debut, Reservoir Dogs. Enjoy! And remember to come back next Friday for Pulp.

Top 10 About-Face Films

We all have what I refer to as “about-face” movies. These are films that did nothing for you on the first viewing, but that you grew to love when you revisited them. Maybe you didn’t “get” the movie the first time around, maybe you were too young to comprehend its obscurity. Maybe it was too long, too weird, too plain. Or maybe it hit too close to home, and you were afraid to open yourself up to it. Below is a list of films I’ve completely redefined my opinion on, simply because I gave them another go. Do feel free to share your favorite about-face films as well!

In Character: Paul Sorvino

Paul Sorvino has been killing us with his charm since the early ‘70s. Even when he plays lethal thugs, we can’t help but be drawn to him. We hinge on his every word, studying his slow, purposeful movements, and letting his soothing Italian New York voice school us in the lessons of life. Sorvino has clocked a ton of credits in his career, so do please feel free to share your favorites as well.

Top 52 Things I Love About A Few Good Men (that no one talks about)

Rob Reiner’s A Few Good Men is one of those movies I can watch anytime, anywhere. Which is fitting, given that it’s one of the most popular TNT Movies (Cinema Romantico™) around. It also contains one of Aaron Sorkin’s finest scripts to date. So with the Sorkin-penned Steve Jobs hitting theaters tomorrow, here’s a look back at some things I love about A Few Good Men that are rarely discussed.

the Directors: Denis Villeneuve

There are two sides to Denis Villeneuve: the playful surrealist, and the dead-serious dramatist. The best of his films often combine those two sides, creating a story juxtaposition that makes the work memorable. And the fact that they all look amazing certainly doesn’t hurt.

In addition, Denis Villeneuve is one of the few modern directors who always include strong parts for women. His films often show what desperate people do in desperate situations. Sometimes they respond with harsh violence, other times with frank sexuality. Many lie, some kill, most make poor decisions. But all of them face dilemmas in the context of a great story, executed masterfully by the filmmaker in question.